There is always a third door

All highly successful people treat life, business, and success just like a nightclub. There are always three ways in.

There’s the First Door, where 99% of people wait in line, hoping to get in.

There’s the Second Door, where billionaires and royalty slip through.

But then there is always, always…the Third Door. It’s the entrance where you have to jump out of line, run down the alley, climb over the dumpster, bang on the door a hundred times, crack open the window, and sneak through the kitchen. But there’s always a way in.

Whether it’s how Bill Gates sold his first piece of software, or how Steven Spielberg became the youngest director at a major studio in Hollywood — they all took the Third Door.

– Alex Banayan


Ray Dalio’s 5-Step Process to Success

I’m currently reading Ray Dalio’s new book, Principles, which outlines his principles that he’s followed throughout his life to create one of the most successful hedge funds in the world and within the top 100 wealthiest people in the world. He has a simple 5-step process that he says, “if you can do these 5 things well, you will almost certainly be successful.

  1. Have clear goals.
  2. Identify and don’t tolerate the problems that stand in the way of your achieving those goals.
  3. Accurately diagnose the problems to get at their root causes.
  4. Design plans that will get you around them.
  5. Do what’s necessary to push these designs through to results

Maybe: What’s Good or What’s Bad?

While I was listening to a guided meditation this morning on controlling your emotions to not be so quick to judge what may be “good” or “bad,” I was told a Zen parable about an old farmer. Take a read below:

There is a Taoist story of an old farmer who had worked his crops for many years. One day his horse ran away. Upon hearing the news, his neighbors came to visit. “Such bad luck,” they said sympathetically.

“Maybe,” the farmer replied.

The next morning the horse returned, bringing with it three other wild horses. “How wonderful,” the neighbors exclaimed.

“Maybe,” replied the old man.

The following day, his son tried to ride one of the untamed horses, was thrown, and broke his leg. The neighbors again came to offer their sympathy on his misfortune.

“Maybe,” answered the farmer.

The day after, military officials came to the village to draft young men into the army. Seeing that the son’s leg was broken, they passed him by. The neighbors congratulated the farmer on how well things had turned out.

“Maybe,” said the farmer.

This short parable shows us how nothing in life is ever static, so we must avoid to be so quick to judge anything as good or bad. Learn to accept things as they are, for something that you may consider “bad fortune” today might be a blessing in disguise tomorrow.

Steal Like An Artist

My good friend Elbert gifted me with 2 books today: STEAL LIKE AN ARTIST and SHOW YOUR WORK! both by Austin Kleon. I started reading STEAL LIKE AN ARTIST first, which is a book written by an artist with the intention of giving advice to his past self. I really resonated with his belief that nothing is really “original” in this world – everything is merely stolen and adapted from previous concepts/ideas. True authentic art, or any ideas for that matter, are stolen from inspiring work and made better or different. I liked this passage the most:

First, you have to figure out who to copy. Second, you have to figure out what to copy.

Who to copy is easy. You copy your heroes – the people you love, the people you’re inspired by, the people you want to be.

What to copy is a little bit trickier. Don’t just steal style, steal the thinking behind the style. You don’t want to look like your heroes, you want to see like your heroes.

The reason to copy your heroes and their style is so that  you might somehow get a glimpse into their minds. That’s what you really want – to internalize their way of looking at the world. If you just mimic the surface of somebody’s work without understanding where they are coming from, your work will never be more than a knockoff.